Sunday, 6 January 2013

Comedic Underpinnings

By Natalie Cappetta


In the 19th century, the true function of the word burlesque meant "in an upside down style" which is different than what you may normally assume. Originally, the performances involved dramatic comic plays, parodying current events and as an addition had burlesque dancers.

As the show developed, the comedic angle gravitated to a focus on women's sexual appeal by testing the limits on appropriate attire. Today, Burlesque shows tune in to the risqu factor and some believe performances are more of a serious striptease than a humorous performance. To some extent this is true, but there are shows that attempt to retain the classic intent of the burlesque show.

The original shows came in three parts. The first consisted of crude and coarse humour performed by comics. The second was the olio-a miscellaneous collection of acts-that included acts such as magicians, gymnasts, and musical performances (instrumental or vocal). The third usually involved a critique of the current policies or news, as well as the tantalizing burlesque dancers-which we are most familiar with today-who served as the finale.

The show, whatever form it takes, is a grand and saucy show to attend. Many argue that the woman's sexual appeal defines the performance instead of the satire and ludicrous imitation that served as the basis of burlesque. People's desire to see erotic behaviour has controlled the original model and has called upon pure seduction to attract audiences.

But, there are shows out there that wish to retain the beginning models of what was burlesque: an artistic work parodying current events and issues. There are venues that place the dancers and the element of comedy at equal importance. If you do search and find one, you will be thoroughly enjoyed and enjoy alluring visuals and comedic banter as well as a night of magic. The performance will foster a fabulous night for all!




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